Title | Metal Soaps in Art [electronic resource] : Conservation and Research / edited by Francesca Casadio, Katrien Keune, Petria Noble, Annelies Van Loon, Ella Hendriks, Silvia A. Centeno, Gillian Osmond |
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Imprint | Cham : Springer International Publishing : Imprint: Springer, 2019 |
Edition | 1st ed. 2019 |
Connect to | https://doi.org/10.1007/978-3-319-90617-1 |
Descript | XXII, 424 p. 152 illus., 137 illus. in color. online resource |
Foreword -- Preface -- List of Contributors -- 1 A Brief History of Metal Soaps in Paintings From a Conservation Perspective -- Part I Formation, Migration and Environmental Influences -- 2 Zinc Soaps: An Overview of Zinc Oxide Reactivity and Consequences of Soap Formation in Oil-Based Paintings -- 3 Towards a Complete Molecular Model for the Formation of Metal Soaps in Oil Paints -- 4 Understanding the Dynamics and Structure of Lead Soaps in Oil Paintings Using Multinuclear NMR -- 5 Historical Evolutions of Lead-Fat Formula from Antiquity to Modern Times: An Echo Between Pharmacy and Painting -- 6 Impact of Lead Soaps on the Formation of Age Craquelure -- 7 An Investigation into Metal Ions in Varnish Coatings -- 8 Ageing of Natural Resins in Presence of Pigments: Metal Soaps and Oxalates Formation -- 9 Factors Affecting the Reactivity of Zinc Oxide with Different Drying Oils: A Vibrational Spectroscopy Study -- Part II Innovative Approaches to the Characterization of Metal Soaps and Oxalates -- 10 Tracking Metal Oxalates and Carboxylates on Painting Surfaces by Non-Invasive Reflection Mid-FTIR Spectroscopy -- 11 Identification and Distribution of Metal Soaps and Oxalates in Oil and Tempera Paint Layers in 15th Century Altarpieces Using Synchrotron Radiation Techniques -- 12 Photoluminescence Micro-Imaging Sheds New Light on Phase Characterization in the Development of Metal Soaps in Historical Paintings -- 13 Physicochemistry of Pure Lead(II) Soaps: Crystal Structures, Solid and Liquid Mesophases, and Glass Phases: Crystallographic, Calorimetric and Pair Distribution Function Analysis -- Part III Characterization and Treatment -- 14 Taking Different Forms: Metal Soaps in Paintings, Diagnosis of Condition, and Issues for Treatment -- 15 Characterization and Removal of a Disfiguring Oxalate Crust on a Large Altarpiece by Hans Memling -- 16 The Development of an Aqueous Gel Testing Procedure for the Removal of Lead-Rich Salt Crusts on the Surface of Paintings by Giovanni Antonio Pellegrini (1675-1741) in the ‘Golden Room’ of the Mauritshuis -- 17 The Formation of Calcium Fatty Acid Salts in Oil Paint: Two Case Studies -- Part IV Case Studies in 19th and 20th Century Art: Artists and Paint Makers -- 18 Everything Old is New Again: Revisiting a Historical Symposium on Zinc Oxide Paint Films -- 19 Notes on Metal Soap Extenders in Modern Oil Paints: History, Use, Degradation, and Analysis -- 20 Delamination due to Zinc Soap Formation in an Oil Painting by Piet Mondrian (1872-1944): Conservation Issues and Possible Implications for Treatment -- 21 Paint Delamination as a Result of Zinc Soap Formation in an Early Mondrian Painting -- 22 Photometric Stereo by UV-Induced Fluorescence to Detect Protrusions on Georgia O’Keeffe’s Paintings -- 23 A Montparnasse Disease? Severe Manifestations of Metal Soaps in Paintings by Pierre Soulages from around 1959-1960 (Delaminating Oil Paint Layers, Medium Exudates, Discolourations) -- 24 Seldom Black and White: The Works of Franz Kline