Title | The Aesthetic Discourse of the Arts [electronic resource] : Breaking the Barriers / edited by Anna-Teresa Tymieniecka |
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Imprint | Dordrecht : Springer Netherlands : Imprint: Springer, 2000 |
Connect to | http://dx.doi.org/10.1007/978-94-011-4263-2 |
Descript | XIV, 281 p. online resource |
Inaugural Essay -- The Creative Impulse and the Aesthetic Discourse of the Arts -- Section One -- Breaking the Frame: Transgression and Transformation in Giulio Romanoโ{128}{153}s Sala dei Giganti -- The nineteenth-Century Landscape and Twentieth-Century Space: Traumatic Loss or Trace of Memory? Robert Smithson and the Entrophic Metaphor -- Alechinsky, Cobra and the Book -- Aspiring to the Condition of Music: Hardy and His Art from the 1840s to the 1890s -- Counterpoint in Print: Okot pโ{128}{153}Bitekโ{128}{153}s Song of Lawino and Song of Ocol -- Section Two -- Semiotics and Musical Choice: โ{128}{156}Beyond Analysisโ{128}{157} Revisited -- When is a Work of Music Real? -- Section Three -- Machine-Time, Passion-Time, and Time that Trembles: Debussy and Baudelaire -- Baroque and Classical Aesthetic Visions -- To Consociate and Foster the Self -- Section four -- Inanimorata: The Dread of Things -- Musical and Visual Encounters: An Investigation of the Aesthetic Experience -- โ{128}{156}โ{128}ฆWe Need Not Fear โ{128}ฆโ{128}{157} Expressivity and Silence in the Early Work of John Cage -- Berliozโ{128}{153}s Programme and Proustโ{128}{153}s Sonate: Parallel Quests to Bridge the Gaps in Musico-Literary Expression -- Index of Names