I Aesthetics of the Performing Arts: Different Phenomenological Perspectives -- The Theory of Drama and Theatre: A Continuing Investigation of the Aesthetics of Roman Ingarden -- On the Sign Character of the Representing Stratum in a Film as Work of Art -- II Roman Ingarden: Some new Developments in his Scholarship -- The Temporal Composition of the Literary Work of Art and the Reader's Aesthetic Temporality -- The Mystery of Time in Roman Ingarden's Philosophy -- Thomas de Quincey and Roman Ingarden: The Phenomenology of the โ{128}{156}Literature of Powerโ{128}{157} -- On Translations (Tr. by Jolanta Wawrzycka) -- III Around the โ{128}{152}Passions of the Soul' -- Grand Passions of Humble Folk: โ{128}{156}Woyzeckโ{128}{157} and โ{128}{156}The Jews' Beechโ{128}{157} -- The Enigma of Interpretation in Chagall's Disposition of Space -- Erotic Modes of Discourse: The Union of Mythos and Dialectic in Plato's Phaedrus -- The Man of Genius as Artist โ{128}{148} Suffering and World Conscience -- The Erotic Phenomenology in Kierkegaard's Mozart -- The Agamemnon: A Drama of the Passions -- Narrative Time as Interpretation of Human Existence: โ{128}{156}Valenceโ{128}{157} in the Present of The Ambassadors -- IV Philosophical Views Reflected in Literature -- Le langage de la crรฉation esthรฉtique dans la phenomenology -- Unity in Vedic Aesthetics: The Self-Interacting Dynamics of the Knower, the Known, and the Process of Knowing -- An Approach to the Structure of the Japanese Elegy, in the Case of Yamanouรซ No Okura, a Representative Poet of Mannyoshu (The First Collection of Japanese Poetry) -- Fantastic Phenomenology -- Philosophic Filaments in Literature in English: Wordsworth to Pound -- Index of Names