To analyzes the processes of production of Thai country-music network by using Marxist political economy framework as a guideline. The study comprises three themes: first, to study into the production process itself, second, to study the structure of relations of the proceses,and third, to study conflicts and struggles in the above relations of production in order to access and benefits at the expenses of whom. The finding of the study is that the production process was divided into two categories; music productions and music live performances. In both categories of music-artists; i.e., singers, composers, and musicians were important as well as immediate value-creators. Nowadays country-music productions were almost subsummed or integrated by capitalist relations of production. This structure of relations advantaged capitalists, who owned or were in power to control means and conditions of music production and were capable of appropriating much benefit and social power from the music-artists as the real immediate value creators. And in such the relations of production there existed conflicts and struggles continuously. The music-artists had been struggling in various ways such as making criticism agianst capitalist music industries via mass media or attemting to gather into association, ect.
