Stanislavski and his system -- The method of physical actions -- Elements of an action -- The magic if -- Given circumstances -- Imagination -- Concentration of attention -- Truth and belief -- Communion -- Adaptation -- Tempo-rhythm -- Emotional memory -- Analysis through events and actions -- The super-objective and the through line of actions -- The actor's physical apparatus -- Work on the role: building a character -- The subtext of behavior -- The director -- Eugene Vakhtangov: the disciple

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