Political economy and mass culture theory: The culture industry -- A theory of mass culture -- Concepts of culture -- Holy commodity fetish, batman -- Hooray for Hollywood -- Film and authorship: The filmwright and the audience -- A playwright looks at the filmwright -- A certain tendency of the French cinema -- Films, directors and critics -- Notes on the auteur theory in 1962 -- The auteur theory -- Hawks de-wollenized -- Genre criticism: Authorship and genre -- Critical method...genre -- Extract from genre -- The woman's film -- American film noir -- Star studies: Stars as images -- Stars and character -- Living stars -- Stars and the star system -- Cary Grant in the fifties -- Feminine fascinations -- The historical poetics of cinema: The cinema of attractions -- The classical Hollywood cinema -- Post-classical Hollywood -- Taboos and totems: cultural meanings of the silence of the lambs -- Screen theory I: from marxism to psychoanalysis: Cinema/ideology criticism -- Realism and the cinema -- Narrative and realism -- The imaginary signifier -- The tutor-cod of classical cinema -- Screen throry II: psychoanalysis, feminism and film: The place of woman in the cinema of raoul walsh -- Visual pleasure and narrative cinema -- Film and the masquerade -- Her body, himself -- Cultural studies: Gramsci goes to Hollywood -- Texts, readers, subjects -- Technology and tradition -- Post-feminism and shopping films -- Film history terminable and interminable -- Theorizing differences: Colonialism racism and representiation -- White privilege and looking relations -- The boyz and other matters regarding the male -- There's something queer here -- On not being Lady Macbeth

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