Toward a style for the times -- Griffith and the expressiveness of editing -- The Russians and epic montage -- The Germans and expressionism -- Toward realism - a gamut of approaches -- Comedy and expressiveness -- Changing structures for changing feelings -- Sound and style: expressiveness -- Sound and style: varieties of realism -- Social problems and realism -- The World of entertainment: genres and stars -- Comedy and sound-smooth and wild -- Genres, realism and the personal style -- Welles and renoir-the personal vision and voice -- Modifying realism and expressiveness -- New directions out of old -- Antonioni and athe newer realism -- Fellini, pasolini, and sureal expressionism -- Bergman, Bunuel, Bresson- the individual voice and vision -- French renaissance and rediscovery - new wave and after -- Britain- anger and after -- America- the new social realism and the new razzmatazz -- New voices in international film -- New worlds of entertainment and art

1. Motion Pictures -- History